Here’s the finished up Sinestro Sketch Cover and the last step to my process. This is my favorite part of the process, adding all the little things that bring the artwork together. I add yellow to the energy with marker and acrylic using dry brush. For the ring power glow I use the same technique. Plus I went back to enhance the in the eyes.
Here is the finished up Superman Red Son Sketch Cover. The artwork was rendered with Copics, Faber-Castell artist pen, uni-ball Signo Gel Pen, and to achieve the heat vision glow I used Liquitex.
Here’s the Wolverine Sketch Cover painting all finished up. This was a WonderCon pre-ordered Sketch Cover. Rendered with Faber-Castell Pens and Liquitex.
Wolverine Sketch Cover painting progress shot 3. Cover is almost finished up. My brushes of choice with dry brush technique are chiseled and flat size 2 & 4 brushes and spotter 18, 10, 5 size brushes. Rendered with Faber-Castell Art Pens and Liquitex Paint.
Wolverine Sketch Cover painting progress shot 2. The main technique used is dry brush. It’s how I get that pastel feel in my painting. Rendered with Faber-Castell Art Pens and Liquitex Paint.
Wolverine Sketch Cover painting is underway. Here is progress shot 1 of the process. The background is all finished up and started on the mask. Rendered with Faber-Castell Art Pens and Liquitex Paint.
Here’s the finished Thor Goddess of Thunder painting in honor of Jane Foster’s heroic saga coming to an end next month in The Mighty Thor #705. The final hydride traditional/digital illustration was rendered with Liquitex, Faber-Castell Art Pens, Wacom and Photoshop.
Here’s Thor Goddess of Thunder progress WIP 6. The hair is all finished up. This completes the traditional stage. Rendered with Liquitex and Faber-Castell art pens on Kraft paper. Up next scanning and then digitally painting the background.
Here is Thor Goddess of Thunder WIP 5. The cape is all finished up. Next up is painting the hair.
Here’s Thor Goddess of Thunder progress shot 4. Next stage to finished up is the cape.